Showing 231 results

Geauthoriseerde beschrijving

Committee Against Street Harassment (CASH)

  • Instelling
  • 1979-[1985]
In 1977, Margaret Dwight-Spore founded Better End All Vicious Erotic Repression (B.E.A.V.E.R), an organization dedicated to decriminalizing prostitution in Canada. Around 1979 BEAVER changed its name to Committee Against Street Harassment (CASH). It offered legal advice, counselling, referrals and support to sex workers and also provided education through public discussion. It was disbanded in the early 1980s.
---
En 1977, Margaret Dwight-Spore fonde Better End All Vicious Erotic Repression (B.E.A.V.E.R), une organisation visant à décriminaliser la prostitution au Canada. Vers 1979, BEAVER change de nom et devient Committee Against Street Harassment (CASH). Il offrait des conseils juridiques, une orientation, des références et un soutien aux travailleurs du sexe et assurait également une éducation par le biais de débats publics. Il a été dissous au début des années 1980.

Advocates for Community-based Training and Education for Women (ACTEW)

  • Instelling
  • 1988-2008
ACTEW, originally Advocates for Community-based Training and Education for Women, was a provincial membership organization for programs that provided community training to women. It began in 1988 as an outgrowth of another provincial umbrella group, ONESTEP, Ontario Network of Skills Training and Employment Programs. The women's organizations belonging to ONESTEP decided they needed a more women-centered, feminist organization to represent their specific needs. ACTEW changed its name in 2004 to A Women's Training Community. Over the years that ACTEW existed the organization published many reports, briefs and responses to government initiatives including: Access Diminished: A report on women's training and employment services in Ontario (2001); Challenges and Connections: Meeting the Information Needs of Professionals Working with Immigrant Women (2001), Operation Access (1989), Choosing Training, Shortcuts to Career Development Resources for Girls and Women. The group dissolved in 2008 due to lack of funding.
-
ACTEW, à l'origine Advocates for Community-based Training and Education for Women, était une organisation provinciale regroupant des programmes de formation communautaire pour les femmes. Elle est née en 1988 d'un autre groupe provincial, l'ONESTEP (Ontario Network of Skills Training and Employment Programs). Les organisations de femmes membres de l'ONESTEP ont décidé qu'elles avaient besoin d'une organisation féministe plus centrée sur les femmes pour représenter leurs besoins spécifiques. ACTEW a changé de nom en 2004 pour devenir A Women's Training Community. Au cours des années d'existence d'ACTEW, l'organisation a publié de nombreux rapports, mémoires et réponses aux initiatives gouvernementales, notamment Access Diminished : Un rapport sur les services de formation et d'emploi des femmes en Ontario (2001) ; Challenges and Connections : Meeting the Information Needs of Professionals Working with Immigrant Women (2001), Operation Access (1989), Choosing Training, Shortcuts to Career Development Resources for Girls and Women. Le groupe a été dissous en 2008 en raison d'un manque de financement.

Section of Women and Psychology of the Canadian Association of Psychology (SWAP-CPA)

  • Instelling
  • 1976-
The Section on Women and Psychology (SWAP) is a community of researchers, teachers, and practitioners interested in the psychology of women and feminist psychology. It aims to advance the status of women in psychology, to promote equity for women in general, and to educate psychologists and the public on topics relevant to women and girls. It supports students through an annual student paper award and a convention social event. Members are kept informed of developments via annual newsletters and are connected through the CanFemPsyc listserv and other online groups. SWAP members regularly organize symposia and pre-conference institutes as well as supporting a Status of Women Committee.
-
La section Femmes et psychologie (SWAP) est une communauté de chercheurs, d'enseignants et de praticiens qui s'intéressent à la psychologie des femmes et à la psychologie féministe. Elle vise à faire progresser le statut des femmes en psychologie, à promouvoir l'équité pour les femmes en général et à éduquer les psychologues et le public sur des sujets pertinents pour les femmes et les filles. Elle soutient les étudiants par le biais d'un prix annuel pour les travaux d'étudiants et d'un événement social lors de la convention. Les membres sont tenus informés des développements par le biais de bulletins d'information annuels et sont connectés par le biais du listserv CanFemPsyc et d'autres groupes en ligne. Les membres de SWAP organisent régulièrement des symposiums et des instituts pré-conférence et soutiennent un comité sur le statut des femmes.

Dwight-Spore, Margaret

  • Persoon

Margaret Dwight-Spore was born in the United States but moved in Canada with her husband in 1971. In 1977, she founded Better End All Vicious Erotic Repression (B.E.A.V.E.R), an organization dedicated to decriminalizing prostitution in Canada. Around 1979 BEAVER changed its name to Committee Against Street Harassment (CASH). It offered legal advice, counselling, referrals and support to sex workers and also provided education through public discussion. It was disbanded in the early 1980s. The prostitute's resource office, "Maggie's" founded by sex-workers in the 1980s was name for Dwight-Spore.

Margaret Dwight-Spore also participated in various workshops and conferences. She was the leader of a University of Concordia seminar on prostitution and pornography, a Conference on Human Sexuality and Freedom workshop leader and a National Action Committee on the Status of Women (NAC) conference prostitution workshop panel participant. In addition to her involvement in conferences and activities, she also worked as a resource person at the Toronto Rape Crisis Centre and the Elizabeth Fry Society and she the focus of an interview published in Fireweed in 1978. In 1985, Margaret Dwight-Spore returned to the United States.
----
Margaret Dwight-Spore est née aux États-Unis mais s'est installée au Canada avec son mari en 1971. En 1977, elle fonde Better End All Vicious Erotic Repression (B.E.A.V.E.R), une organisation visant à décriminaliser la prostitution au Canada. Vers 1979, BEAVER change de nom pour devenir Committee Against Street Harassment (CASH). Il offrait des conseils juridiques, une orientation, des références et un soutien aux travailleurs du sexe, ainsi qu'une éducation par le biais de débats publics. Il a été dissous au début des années 1980. Le bureau de ressources pour les prostituées, ""Maggie's"", fondé par des travailleurs du sexe dans les années 1980, portait le nom de Dwight-Spore.

Margaret Dwight-Spore a également participé à divers ateliers et conférences. Elle a dirigé un séminaire de l'Université de Concordia sur la prostitution et la pornographie, un atelier de la Conférence sur la sexualité humaine et la liberté et un atelier sur la prostitution de la Conférence du Comité national d'action sur le statut des femmes (CNA). Outre sa participation à des conférences et à des activités, elle a également travaillé comme personne-ressource au Toronto Rape Crisis Centre et à la Elizabeth Fry Society et a fait l'objet d'une interview publiée dans Fireweed en 1978. En 1985, Margaret Dwight-Spore retourne aux États-Unis.

Gleiman family

  • Familie
  • 1893-

Dr. Lubomir Gleiman (1923-2006), son of Dr. Jan Gleiman and Anna Urbanek, was born in Trnava, Czechoslovakia (now in Slovakia), on May 21, 1923. His grandfather Ferko Urbanek had been a famous Slovak playwright and poet. During World War II and the Slovak National Uprising, Lubomir and his family were removed from their home, and he was forced to work in labour camps. In a particular occasion, he and his colleagues from medical school were made to march across Austria in a defensive measure against the allies. After being freed when the 506th Infantry Regiment of the 101st Airborne Division liberated his camp, he became secretary at the displaced persons camp in Rauris (Austria). He became friends with the US Commander Al Hazzenzahl and Lt Gerald Evers. The latter gave him a letter of recommendation after the camp closed, which was invaluable to Lubomir during his subsequent months as a refugee.

Lubomir and his father later joined the movement to organize a resistance against the communists in Slovakia. They were also active participants in the attempts to resist the advances of communism and in the conservation of an independent democracy in their country. Father Tomislav Kolakovic (Father George), a Catholic priest who opposed communism, was among Lubomir’s anti-communist connections. In 1948, after the resistance movement failed, Lubomir and his family immigrated to Canada, where they worked in farms in the Glencoe/Alviston area. Later, they held several odd jobs to support themselves in Montreal. His father and his sisters Wanda and Zora worked in a chocolate factory while Lubomir was employed at various occupations, from janitor and hospital orderly to bookkeeper and graduate assistant. Despite their difficult life, Lubomir nevertheless managed to complete his bachelor’s degree in 1952 from the Thomas More Institute.

After earning his master’s degree in 1954 and PhD in philosophy in 1957, both from the University of Montreal, he moved to the United States, where he began his distinguished scholarly career. He was a professor of philosophy and political science until 1978 at Newton College of the Sacred Heart, which later became Boston College. In Boston College, Lubomir had been the Newton senior fellow in political science from 1975 to 1977. He was appointed professor of philosophy at Salve Regina University (Newport, RI) in 1978, where he taught until he retired at age 70. He continued his scholarly studies, however, even after his retirement. He was fluent in five languages, and wrote profusely. His writings included poetry, scholarly articles, essays and reviews. He also published two books: “Etudes D’Histoire Litteraire, Medieval Roots of Totalitarian Syndrome” and “Graham Green: Poet of Ambivalence and Transcendence.”

He married Nancy Waeber (1941-2018), one of his students, in 1963, and they had three children: Mary Melanie (Phelps), Cyril Gleiman, and Jan Kenneth Gleiman. Lubomir Gleiman died on May 22, 2006 at age 83.

Dr. Ján Gleiman (1893-1983) was born in Slovakia, on September 11, 1893. He served as a captain in the Austro-Hungarian army during WWI, but surrendered his unit to the Russians because they refused to fight against those they considered their “Slavic brothers”. He was then made a prisoner of war and was sent to Krasnojarsk. He learned to speak fluent Russian during this time.

Before World War II, Ján Gleiman had been a prominent lawyer, notary public and local judge in his country, and had enjoyed a comfortable upper middle class life with his family while living in Revuca, Banska Bystrica, Banovce, and Bratislava. He was also part of the Hlinka's Slovak People's Party, the Slovak right-wing nationalist party, and allegedly a confidant of Father Jozef Tiso, who was one of the party leaders and later president of the First Slovak Republic. Jan’s son Lubomir had been Tiso’s altar boy. Tiso was executed after World War II for having collaborated with Hitler and Nazism. With the advance of communism in Slovakia, Jan became worried that his political connections posed a threat to his and his family’s security, and so they sold their personal belongings and left Slovakia. They travelled throughout Europe before finally boarding a ship in Italy and immigrating to Canada in 1948.

The Gleiman family’s move to Canada after the war was not easy for any of them, but especially for Jan. Because of his age and poor knowledge of the English language, he was required to accept manual work in Canada as a condition for immigration, and could not be employed in his own field. According to his own diaries, he was very much dissatisfied with his new life and the difficulties he faced while trying to integrate in Canada. However, he continued to devote a lot of his time outside of working hours to intellectual activities such as reading and writing, mostly in relation to philosophy and politics. The family finally managed to save enough money to buy a house in the late 1950s, which had by then become Jan’s final goal in Canada. Ján died on March 13, 1983 in Montreal, at age 90.

Böhm, Emanuel

  • Persoon
  • 1909-1990

Dr. Emanuel Böhm was born on February 1, 1909 in Vrútky, Slovakia. The former professor of chemistry and natural sciences earned his Bachelor's degree in 1928, followed by his Master's Degree in chemistry and natural sciences between 1931 and 1934. In 1934, he received his Doctoral Degree from Charles University in Prague in the areas of chemistry, plant physiology, bacteriology and genetics.

Between 1934 and 1936, Dr. Böhm served as a Lieutenant of Heavy Artillery in the Czechoslovak Army. From 1936 to 1939 he taught in various colleges and technical high schools. In September 1939, after the annexation of southern Slovakia by Hungary, the Royal Hungarian Ministry of Education dismissed Dr. Böhm from his post for proclaiming the national and human rights of his people. Dr. Böhm as President of the Slovak National Unity served as spokesman for the 750,000 Slovaks residing in Magyarország during the occupation. During the war years, he worked in journalism and editing. He was the founder and editor of the Slovak language daily, Slovak Unity - Slovenská Jednota in Budapest while being editor of a newly established book publishing affiliate, Edicia Slovenskej Jednoty/Editions of Slovak Unity. Editor of 24 books published by the Guild of Slovak Unity, he was also a member of the Magyar Press Agency.

Following the war, Dr. Böhm resumed his teaching duties in Bratislava. In May 1946, he was elected to the Czechoslovak Parliament as a representative from Eastern Slovakia for the Democratic Party. He eventually served as Deputy Speaker of the Parliament in Prague, later serving as Health Commissioner in Bratislava.

Dr. Böhm and his wife Dr. Mária Dziaková, whom he married in 1941, went into exile in London in 1948 where he became chief chemist at Newlands and Rutherford Brothers. In 1952, the Böhms immigrated to the United States where he worked as Director of Research and Development with the Hoffman Company and later with Corn Products Corporation International. He was honored for his contribution to the food and beverage industries as well as for his research in chemistry. He held a patent on a machine he invented to analyze the contents of beverages. Dr. Böhm was a prolific scientific writer having published 35 articles on flavor and sweetener chemistry.

His life-long love for Slovakia and its culture became even stronger in exile. He served as Vice-President of the Slovenská Národná Rada v Zahranií /Slovak National Council Abroad. Active in Slovak cultural and political affairs, Dr. Böhm was awarded the Stefanik Medal by the Slovak American Cultural Center in New York for his work on behalf of his homeland. He and his wife were co-founders of Múza Tatier (Muse of the Tatras), an award that honors the cultural, scientific and artistic accomplishments of Slovaks and Slovak-Americans. He directed Slovak plays, was the creator of a Slovak Puppet Theater for Slovak children, and was an expert on Slovak folklore and its heritage. He published numerous articles in the Slovak press (both in English and in Slovak) at home and abroad. Dr. Böhm passed away on December 24, 1990 at the age of 81.

Ellenwood, Ray

  • Persoon
  • 1939-
Ray Ellenwood est né à Edmonton en Alberta en 1939. Il a obtenu un Mater en Anglais de l'Université d'Alberta, puis un doctorat en littérature comparative (Comparative Literature) de l'Université Rutgers, l'Université d'État du New Jersey, aux États Unis. Son projet de recherche doctoral portait sur André Breton et Freud. Il a voyagé en France pour effectuer des recherches et rencontrer des personnes impliquées dans l'histoire du surréalisme, dont Jacques Baron. Il a fait de nombreuses recherches et a beaucoup écrit sur la littérature, la traduction et les arts visuels. Il a été professeur à l’Université de York, à Toronto de 1972 à 2005. Il est, entre autres, l'auteur d’"Egregore: A History of the Montréal Automatist Movement" publié en 1991. Il a publié plusieurs articles concernant les signataires de "Refus global", ainsi que des traductions de "Refus global", et de la poésie.
---
Ray Ellenwood was born in Edmonton, Alberta in 1939. He received his M.A. in English from the University of Alberta and his Ph.D. in Comparative Literature from Rutgers University, the State University of New Jersey, in the United States. His doctoral research project focused on André Breton and Freud. He traveled to France to research and meet with people involved in the history of Surrealism, including Jacques Baron. He has researched and written extensively on literature, translation and the visual arts. He was a professor at York University in Toronto from 1972 to 2005. He is, among others, the author of "Egregore: A History of the Montréal Automatist Movement" published in 1991. He has published several articles about the signatories of "Refus global", as well as translations of "Refus global", and poetry.

De Wolf, Teressa

Teressa (Terri) W. De Wolf lived in Toronto and then moved to British Columbia in 1984. She worked in Kelowna Status of Women’s Office, in the 1970’s.
-
Teressa (Terri) W. De Wolf a vécu à Toronto avant de s'installer en Colombie-Britannique en 1984. Elle a travaillé au bureau de la condition féminine de Kelowna dans les années 1970.

Briskin, Linda

  • Persoon
Linda Briskin is a Professor Emeritus at York University (Toronto) at the School of Women' Studies. In addition to numerous articles, she has authored several books including Equity Bargaining/Bargaining Equity (2006); co-edited Women's Organizing and Public Policy in Canada and Sweden (1999); Women Challenging Unions: Feminism, Democracy and Militancy (1993); and Union Sisters: Women in the Labour Movement (1983); and co-authored Feminist Organizing for Change: the Contemporary Women's Movement in Canada (1988), and The Day the Fairies Went on Strike (for children) (1981). Her research focuses on union leadership, strategies for ensuring equity representation inside unions, women’s participation in collective bargaining and social dialogue, and worker militancy, with a special focus on gendering labour militancy and nurses on strike. She has been a union activist for many decades. In 2014, Linda Briskin received the Sefton Award for Contributions to Labour Relations, presented by Woodsworth College and the Centre for Industrial Relations and Human Resources, University of Toronto.
---
Linda Briskin est professeur émérite à l'Université York (Toronto) à la School of Women' Studies. Outre de nombreux articles, elle est l'auteur de plusieurs ouvrages, dont Equity Bargaining/Bargaining Equity (2006), Women's Organizing and Public Policy in Canada and Sweden (1999), Women Challenging Unions : Feminism, Democracy and Militancy (1993) ; et Union Sisters : Women in the Labour Movement (1983). Elle est également co-auteur de Feminist Organizing for Change : the Contemporary Women's Movement in Canada (1988) et de The Day the Fairies Went on Strike (pour les enfants) (1981). Ses recherches portent sur le leadership syndical, les stratégies visant à assurer une représentation équitable au sein des syndicats, la participation des femmes à la négociation collective et au dialogue social, et le militantisme des travailleurs, avec une attention particulière pour le militantisme des hommes et des femmes et les infirmières en grève. Elle est militante syndicale depuis plusieurs décennies. En 2014, Linda Briskin a reçu le Sefton Award for Contributions to Labour Relations, décerné par le Woodsworth College et le Centre for Industrial Relations and Human Resources de l'université de Toronto.

Lermer Crawley, Judith

  • Persoon
  • 1945-
Born in Canada in 1945 to Jewish-Polish survivors of World War II, Judith Lermer Crawley grew up and went to school in Montreal, eventually obtaining an MA in English Literature. She bought a camera in the summer of 1968 and spent the better part of that summer in San Francisco in a publically funded city darkroom, where she experimented, practised, learned from others and taught herself photography. Upon her return to Montreal, she set up her own darkroom and continued to explore photography while teaching English Literature at Loyola College. With the opening of Vanier College (CEGEP) in Montreal in 1970, she joined its faculty as an English and photography teacher. Greta Nemiroff was instrumental in hiring Judith Lermer Crawley to teach at Vanier College because of shared attitudes to education. Judith taught the course “Images: photographic and Poetic” which became the basis of the photography component of the Creative Arts program at Vanier. Along with her colleague Alanna Stalker, they brought feminist ideas, skills and teaching philosophy to a new Women’s Studies Programme at Vanier College. Judith worked on the Executive of the Teachers’ Union. Her concern over the conservative direction the government was taking in education led her to participate in the 1983 strikes and to edit the newsletter of the union local.
Judith Lermer Crawley was also part of the Montreal Health Press Collective/Les Presses de la Santé de Montréal, a collective that produced and distributed handbooks on issues of health and sexuality. She was the photography coordinator for the collective but also participated also in the entire process of revising, publishing and distributing the publications.
As a photographer, most of Judith’s work was based in Montreal, where she lived, worked and raised her two children on her own. Her photographic work took the point of view of the women’s community. Her main subject was women’s “private” daily life, which often showed a network of relationships. She placed intimate images within a cultural, political context and used her photography as part of a process of reflecting on and understanding her life as a woman. For Judith Lermer Crawley, photography was also a collaborative process between artist and subject, artist and community, and involved place, culture and voice: “My camera shoots not up, not down, but around.” The starting point of her image-making was the social reality of women’s experience and the need to challenge predominant stereotypes of women as either passive/subordinate (and in middle years, also invisible) or active/sexually provocative. She wanted to reflect her feminism in her engagement with art.
Judith Lermer Crawley exhibited and published her photographs widely in Canada and the United States. She created her own exhibitions and also participated in group shows, the first held in Little Shop Gallery in 1980. In March 1982, she mounted a photographic exhibit entitled “Relations” at Galerie Dazibao in Montreal. In 1985, she realized the project titled “Giving Birth is just the beginnings: Women speak about mothering”. In this project, Judith Crawley presented black and white photographs of women with their children, co-parents and friends. The photographs were integrated with text, in English and French, drawn from conversations about mothering with the women she has been photographing for years. A book version of the project was produced.
In 1986, she exhibited “You can’t hug kids with nuclear arms”. The photographs and texts in this exhibition questioned “how children can be raised in the face of a possible nuclear holocaust. It ended with a list of the names and phone numbers of disarmament groups in Montreal. In 1988, she participated in “Mexico/Canada: A photographic Exchange” and in 1993, she exhibited the project “One in Five…” which combined photographs of her children taken after the death of their father with their comments and her memories as a single parent. In 1997, she worked on the exhibition “The 50s/La Cinquantaine”. The project focused on issues that the women of her community faced in their middle years - as individuals, with partners, friends, colleagues, family and adult children. In 2001, she participated in the group exhibition “Urbanité” shown at the Centre de Creativité du Gesu. In 2002, Judith Lermer Crawley travelled to Poland with one of her friends and her brother, and a project based on this trip resulted. The project was shown for the first time at Vanier College in Montreal in 2003. In 2006, another exhibition “Women’s Daybook Series" was also hosted at Vanier College.
/
Née au Canada en 1945, de parents juifs-polonais ayant survécu à la Seconde Guerre mondiale, Judith Lemer Crawley a grandi et a été scolarisée à Montréal. Elle obtient une maîtrise en littérature anglaise et enseigne ensuite la littérature anglaise. Elle achète son premier appareil photo durant l'été 1968. Elle passe la plus grande partie de l'été à San Francisco utilisant une chambre noire mise à disposition du public et financée par l'État. Elle y fait ses premières expériences en matière de photographie. Son apprentissage de la photographie est autodidacte. À son retour à Montréal, elle met en place sa propre chambre noire et continue d'explorer la photographie tout en enseignant la littérature anglaise au Collège Loyola. Lors de l’ouverture du Collège Vanier (CEGEP) à Montréal en 1970, elle se joint à la faculté en tant que professeure d'anglais et de photographie. Greta Nemiroff a joué un rôle déterminant dans l'embauche de Judith Lemer Crawley en tant qu’enseignante au collège. Leurs conceptions de l’éducation se rejoignent. Judith Lemer Crawley enseigne le cours "Images : photographique et poétique" qui est devenu la base du volet « Photographie » du programme d’Arts créatifs. Elle travaille en collaboration avec Alanna Stalker dont elle partage la philosophie, et les visions féministes. Elles contribuent au développement du programme d'études sur les femmes du Collège Vanier. Judith Lemer Crawley fait partie de l'exécutif du Syndicat des enseignantes et des enseignants. Elle est également membre du département d'études des femmes à Vanier. Inquiète de l’orientation conservatrice prise par l'État en matière d'éducation, elle participe aux grèves de 1983. Elle rédige le bulletin de sa section locale et collabore avec Alanna Stalker sur divers projets pendant cette période de grèves. Judith Lemer Crawley a fait partie du collectif Les Presses de la Santé de Montréal / Montreal Health Press Collective, un collectif qui a produit et distribué des manuels traitant de questions de santé et de sexualité. Elle a été photographe-coordonnatrice du collectif, et a également participé à l'ensemble du processus de révision, de publication et de distribution.
La plupart de ses travaux photographiques se déroulent à Montréal, où elle a vécu, travaillé et a élevé seule ses deux enfants. Elle a travaillé à partir du point de vue de la communauté des femmes. Son sujet principal est la vie quotidienne et ""privée"" des femmes, souvent présentée comme un réseau de relations. Elle place ces images intimes dans un contexte social et politique qu’elle question. Elle utilise la photographie dans le cadre de son processus de réflexion et de compréhension de sa vie de femme. Pour Judith Lemer Crawley, la photographie est aussi un processus de collaboration entre l'artiste et le sujet, l'artiste et la communauté, impliquant le lieu, la culture et la vision du photographe. "" My camera shoots not up, not down, but around. "Le point de départ de sa création d'image est la réalité sociale de l'expérience des femmes et la nécessité de remettre en question les stéréotypes prédominants selon lesquels les femmes sont soit passives/subordonnées (voir invisibles) ou actives/sexuellement provocatrices. Elle utilise le médium photographique pour refléter ses perceptions et préoccupations concernant la place des femmes dans la société.
Elle a exposé et publié ses photographies au Canada et aux États-Unis. Elle développe ses propres expositions et a également participé à d'autres expositions de groupe. Sa première participation à une exposition de groupe a eu lieu à la Little Shop Gallery en 1980. En mars 1982, elle monte une exposition photographique intitulée ""Relations"" qui est exposée pour la première fois à la Galerie Dazibao à Montréal. En 1985, elle réalise le projet intitulé "Donner naissance n'est qu'un début : Les femmes parlent de maternité’’. Dans ce projet, Judith Crawley présente des photographies en noir et blanc de femmes avec leurs enfants, issues de sa parenté ou de son cercle d’amis. Les prises de vue sont accompagnées de textes, en anglais et en français, tirés d’entrevues menées avec ses sujets abordant des questions relatives à la vie des femmes en tant que mères. Ce projet donna naissance à un ouvrage, pour la publication duquel elle recueilli des fonds et travailla en collaboration avec son proche entourage.
En 1986, elle expose "You can’t hug kids with nuclear arms". Les photographies et les textes de cette exposition soulèvent des questionnements sur l’éducation des enfants face "à un éventuel holocauste nucléaire". L’exposition se termine par une liste de noms et de numéros de téléphone de groupes de désarmement présents à Montréal. En 1988, elle participe à ""Mexico/Canada : Un échange photographique"". En 1993 a été exposé pour la première fois le projet "One on Five...". Dans ce projet, des photographies de ses enfants sont accompagnées de leurs commentaires. Certains commentaires sont personnels à l’artiste et reliés à ses souvenirs de mère célibataire. En 1997, elle travaille à l'exposition "The 50s / La Cinquantaine". Le projet met l'accent sur les problèmes auxquels les femmes de sa communauté font face au milieu de leur vie. Il éclaire leur parcours en tant qu’individu, conjointe, mère, amie, collègue, etc. En 2001, elle participe à l'exposition collective "Urbanité" exposée au Centre de Créativité du Gesu. En 2002, Judith Crawley s'est rendue en Pologne avec une de ses amis et son frère. Ce voyage a donné lieu à des prises de vue dont certaines ont été utilisée pour le projet d’exposition "About Auschwitz / A Propos d'Auschwitz", présenté pour la première fois au Collège Vanier en 2003. Judith Lemer Crawley a également réalisé plus récemment l'exposition "Women's Daybook Series" présentée au Collège Vanier à Montréal en 2006.
Resultaten 11 tot 20 van 231