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Morris Kates fonds

  • CA ON0034 30-027
  • Fonds
  • 1940, 1944-2010
This fonds consists of material related to Morris Kates’ musical compositions, as orchestral works, chamber music, choral works. It contains original handwritten and printed scores. It includes Morris Kates’ correspondence with friends, students, and colleagues. The fonds gives also highlight on Morris Kates’ career as biochemist. It contains records on his scientific research works, as his thesis, articles, lab notes, conference proceedings with his presentations, photos from scientific travel and laboratory, certificates.

Sem título

L’udovít Kandra fonds

  • CA ON0034 20-003
  • Fonds
  • 1938-01-01 - 1983-12-31

The fonds consists of handwritten notes, drafts, holograph and typed manuscripts, galley proofs, printed texts and newspaper clippings of L’udovít Kandra’s extensive literary production of novels, short stories and articles.

A large portion of the fonds also gathers the correspondence exchanged between Mr. Kandra and his family, his friends, other Slovak emigrants and members of various political and lobbying groups. Another significant portion of the fonds consists of administrative papers, correspondence and publications related to the Svetový Kongres Slovákov (Slovak World Congress) and to Slovenská Národná Rada v Zahraničí (Slovak National Council Abroad) including the Demokratický Blok (Slovak Democratic Block Abroad). A smaller portion of the fonds consists of various pieces of information collected by Mr. Kandra on topics related to Slovak political and social history since World War II. Some personal papers, memorabilia and a few photographs constitute the remainder of the fonds.

The L’udovít Kandra fonds constitutes the most complete collection of primary, secondary and tertiary sources for the study of this prolific Slovak emigrant author’s literary production. It contains most of his works published under the pen name of Peter Klas, a major portion of his articles, conference papers and other works published under his real name, L’udovít Kandra, as well as numerous critical reviews of his work. The correspondence portion of the fonds constitutes a unique source of information on L’udovít Kandra’s personal, professional and social life. It also provides us with a most interesting insight into the lives of his fellow countrymen living abroad, with a particular emphasis on Slovaks living in Canada. The fonds offers researchers a significant collection of papers and documents related to two major international Organizations (SKS and SNRvZ) devoted to the recognition, maintenance and growth of Slovak tradition and culture among the Slovak diaspora.

A certain portion of documents contained in the fonds originate from the 1939-1945 period, but the bulk of the material dates from the time of Kandra’s arrival in Canada in 1949 to the time of his death in 1993. Most documents are in good condition.

Sem título

Madeleine Gilchrist fonds

  • CA ON0034 10-148
  • Fonds
  • [197-?]-2015
Fonds consists of correspondence, reports, papers and a variety of other materials pertaining to the interests and activities of Madeleine Gilichrist. The fonds is divided into nine series according to common subjects, groups, research and events. These include: Midwifery and Reproduction; FRAPPE : Conferences and Papers; Canadian Feminist Issues, Groups and Events; National Action Committee on the Status of Women (NAC) Material; Global Issues and Events; International Conflicts and Peace Initiatives; Voice of Women (VOW) and Women for Mutual Security (WMS) Material; Beijing Women's Conference; and Women for Peace and Freedom.

Sem título

Susan Mann fonds

  • CA ON0034 30-011
  • Fonds
  • 1942-2021

This fonds consists of the personal and professional records of Susan Mann, the majority of which were produced during in capacity as an educator of Canadian history and women's history during the twentieth century.

Ce fonds comprend les papiers personnels et professionnels de Susan Mann, dont la majorité a été produite dans le cadre de son travail d'éducatrice en histoire canadienne et en histoire des femmes du XXe siècle.

Sem título

Valerie Overend fonds

  • CA ON0034 10-132
  • Fonds
  • [1970]-2020

The fonds documents Valerie Overend’s career and her involvement in promoting girls and women in non traditional careers, as well as in science, technology and engineering. The fonds mainly consists of graphic and textual records. It includes training programs, curricula, workshop materials, survey and reports, essays, and publications.

Series 1 to 10 consists of resources used by Valerie Overend in her own research and work to produce informational and educational materials. Some documents were created by/or in collaboration with Valerie Overend. However, most of the documents have been produced by other authors and related organizations.

Series 11 through 17 consist of records that document Valerie Overend's work and accomplishments in developing various programs and initiatives that engaged her over 25 years. They contain youth and adult projects and programs, presentations and workshops. They inform about Valerie Overend’s interventions in various conferences, roundtables, and summits. Briefs, articles, and opinion pieces are also included.

Sem título

Fonds Ray Ellenwood

  • CA ON0034 30-019
  • Fonds
  • 1971-[1975], 2008
Le fonds Ray Ellenwood contient 18 pages de notes et de correspondence entre Ray Ellenwood et Jacques Baron entre 1971 et 1974. Les notes et la correspondence portent notamment sur le sujet d'études de Ray Ellenwood qui travaillait à cette époque sur une thèse de doctorat (Comparative Literature) sur André Breton et Freud.

Sem título

Mary Bishop collection

  • CA ON0034 30-028
  • Arquivo
  • 1975-2020
The collection consists of more than 450 theatre programs, season calendars, visitor guides, ticket stubs and magazines from 1977 to the present. Over more than 50 years, Canadian actors as Martha Henry, Sandra Oh, Shirley Douglas, Keifer Sutherland, Christopher Plummer, Richard Monette, Brent Carver, Maggie Smith, Heath Lamberts, Brian Bedford, William Hutt, but also major Canadian director and playwrights are represented in this collection.

Sem título

Denise Veilleux fonds

  • CA ON0034 10-127
  • Fonds
  • 1981-1994

Le fonds comprend comprend 20 cassettes audio dont 19 contiennent des enregistrements de l’émission Ellipse diffusée sur les ondes de la radio CHUO de l’Université d’Ottawa entre 1989 et 1992 et 1 contient des entrevues réalisées avec Lisette Girouard et Hélène Bernier. Le don comprend également 1 cm de documents textuels incluant la feuille de route d’une émission spéciale portant sur les événements survenus à l’École polytechnique, un an après, et la feuille de route d’une émission spéciale diffusée à l’occasion la journée internationale de la femme.

À la fin des années 1980, ELLIPSE est une émission féministe d’une demi-heure produite toutes les deux semaines, le mardi à 14 h, sur les ondes de CHUO. La radio étudiante diffuse alors en circuit fermé sur le campus de l’Université d’Ottawa. À partir de mai 1991, elle diffusera sur la bande FM dans un rayon de 100 km. En 1989 et en 1990, les animatrices, Johanne Lortie et Colette Godin, tiennent la barre d’ELLIPSE. Elles réalisent diverses entrevues et chroniques avec la participation de Carole Lanauville, Ève Gaboury, Lise Ladouceur et Denise Veilleux. À la suite de son expérience de chroniqueuse et de coanimatrice, Denise Veilleux propose de transformer ELLIPSE. Elle veut produire une émission hebdomadaire d’une heure et de l’offrir en soirée pour rejoindre un plus large public. Après l’émission du 17 avril 1990, ELLIPSE sera maintenant diffusée tous les mardis, de 19 h à 20 h. La production d’ELLIPSE se transforme donc. Denise Veilleux assume désormais la réalisation. Elle structure l’horaire de manière à présenter quelques chroniques par émission et à réserver une plage aux événements d’actualité. Elle ajoute au début de l’émission un bulletin qui résume les principales nouvelles touchant les femmes. L’équipe des collaboratrices qui comptait Colette Godin, Ève Gaboury et Lise Ladouceur s’élargit. S’y ajoutent Louise Sénéchal à la coanimation, Louise Lavallée, Johanne Soulard, Micheline Piché, Louise Mailloux et Jeanine Ouellette. Avec Rachel Côté à la mise en ondes, l’équipe d’ELLIPSE est entièrement composée de femmes. Rachel s’occupe aussi de la recherche musicale. Elle choisit des pièces qui font connaître les femmes artistes et viennent complémenter les sujets abordés. La formule du magazine d’actualité ne permettant pas de traiter en profondeur les questions d’intérêt pour les femmes, l’équipe d’ELLIPSE produit quelques émissions thématiques. Au fil des années, l'émision abordera des sujets comme les aventurières et exploratrices, le lesbianisme, l’environnement, la violence envers les femmes, les femmes et le SIDA. Une émission spéciale soulignera le premier anniversaire du massacre de Polytechnique et une autre, le massacre d’écolières au Kenya. En novembre 1992, Denise Veilleux passe les commandes d’Ellipse à Lyne Bouchard et à Sylvie Rossignol.

Sem título

Catherine Ahearn fonds

  • CA ON0034 30-001
  • Fonds
  • 1905-2012

This fonds consists of records produced and collected by Catherine Ahearn, the first poet Laureate of the City of Ottawa (1982-1984). A sous-fonds contains originals and copies of documents belonging to Jacques Baron (1905-1986), either purchased, sent or collected by Catherine Ahearn (b.1949). Among her records are drafts of some unpublished and published texts, diaries, correspondence, etc.

Ce fonds est constitué de documents produits et recueillis par Catherine Ahearn, première poète lauréate de la Ville d'Ottawa (1982-1984). Ce fonds contient des originaux et des copies de documents ayant appartenu à Jacques Baron (1905-1986) et à Catherine Ahearn (née en 1949). On y trouve des ébauches de certains textes inédits et publiés, des journaux intimes, de la correspondance, etc.

Sem título

Healthsharing fonds

  • CA ON0034 10-003
  • Fonds
  • 1978-1993
This fonds is composed mainly of textual records; the administrative records of the collective and the proofs and submissions for each magazine issue. It also contains documents relating to the Healthsharing Book, including funding application, correspondence with authors and proofs. The records are arranged according to eight series; Minutes, Administration, Financial Records, Promotion and Distribution, Editorial Development, Healthsharing Book, and Correspondence.
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Ce fonds est composé principalement de documents textuels ; les documents administratifs du collectif et les épreuves et soumissions pour chaque numéro de la revue. Il contient également des documents relatifs au Healthsharing Book, notamment la demande de financement, la correspondance avec les auteurs et les épreuves. Les documents sont classés en huit séries : procès-verbaux, administration, documents financiers, promotion et distribution, développement éditorial, Healthsharing Book et correspondance.

Sem título

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