This fonds consists of documents created, collected and/or received by Štefan Hreha after his arrival in Canada in 1936 reflecting his dedicated work as an editor for Kanadský Slovak, president of Branch 2 of the Canadian Slovak League in Montreal, and other activities as a writer and active member of the Slovak community in Canada.
It contains personal correspondence, articles, photographs and memorabilia as well as song lyrics, posters. It also contains documents relating to the Canadian Slovak League (CSL) including meeting minutes, Slovak publications, reports, invoices and budgets, press releases, reports, speeches and newspaper clippings.
This fonds contains documents collected by Ján Juraj Frajkor during his involvement in the Slovak World Congress (SWC), giving an overview of the political situation in Slovakia prior to and after the dissolution of Czechoslovakia. It includes correspondence, newspaper clippings, articles, speeches, publications and photographs.
The fonds consists of records collected and received by Linda Brisken and related to her involvement with various women's councils, centres and programs. Also includes records related to women's studies programs.
"This fonds includes textual records and photographic works related to the artistic work of Judith Lemer Crawley. It offers a complete overview of the artist's artistic production. All of Judith Lemer Crawley's exhibition projects or those in which she has participated are represented. The fonds contains photographs taken by the artist from the late 1970s to the 2000s. The photographic material includes prints (framed or unframed) with dimensions ranging from 20 x 24'' to 8 x 10''. Thus, this fonds reveals the evolution of Judith Lemer Crawley's artistic career, from her first photographic experiences to her most recent shots. The fonds is divided in four series. The first series contains records related to Judith Crawley's exhibitions: Pre-Relations (1979), Relations (1981), You Can’t Hug Kids with Nuclear Arms (1986), Giving Birth is Just the Beginnings: Women Speaks About Mothering (1985, 1986), One in Five… (1993, 1995, 1996, 1997, 1998), The 50s (1997), About Auschwitz (2003, 2004, 2005, 2010), Women’s Daybook Series (2006), Women and Landscape (the silver prints kept in this fonds were printed in Banff in 2014 but never exposed). The second series consists of records related to group exhibitions in which some Judith Crawley's photographs were exposed: Little Shop Gallery Exhibit (1981), Urbanité (2001), and other group exhibits. The third series includes documents related to various activities in which Judith Lemer Crawley participated, such as conferences, workshops, events, publications. Some documents are also related to her teaching duties at Vanier College in Montreal. The series also includes photographs arranged by subject (the subjects having been determined by Judith Lemer Crawley herself). At the end of the series, photographs by artists other than Judith Lemer Crawley, such as Michel Campeau and Pamela Harris, are inventoried. / Ce fonds comprend des documents textuels et des œuvres photographiques reliés au travail artistique de Judith Lemer Crawley. Il offre un panorama complet de la production artistique de l’artiste. L’ensemble des projets d’expositions réalisés par Judith Lemer Crawley ou auxquels elle a participé, y sont représentés. Le fonds contient des prises de vue réalisées par l’artiste depuis la fin des années 1970 jusqu’aux années 2000. Le matériel photographique comprend des impressions (encadrées ou non) dont les dimensions sont comprises entre 20 x 24’’ et 8 x 10’’. Ainsi, ce fonds dévoile l’évolution de la carrière artistique de Judith Lemer Crawley, de ses premières expériences photographiques à ses plus récentes prises de vue. Le fonds est divisé en quatre séries. La première série contient des documents relatifs aux projets d’expositions réalisés par Judith Lemer Crawley : Pre-Relations (1979), Relations (1981), You Can't Hug Kids with Nuclear Arms (1986), Giving Birth is Just the Beginnings : Women Speaks About Mothering (1985, 1986), One in Five... (1993, 1995, 1996, 1997, 1998), The 50s/La Cinquantaire (1997), About Auschwitz (2003, 2004, 2005, 2010), Women's Daybook Series (2006), Women and Landscape (les épreuves conservées dans ce fonds ont été publiées à Banff en 2014 mais jamais exposées). La deuxième série est constituée de documents relatifs à des expositions collectives dans lesquelles certaines photographies de Judith Lemer Crawley ont été exposées : Exposition Little Shop Gallery (1981), Urbanité (2001), et autres expositions de groupe. La troisième série comprend des documents relatifs à diverses activités auxquelles Judith Lemer Crawley a participé, tels que des conférences, des ateliers, des événements, des publications. Certains documents sont également liés à ses fonctions d'enseignante au Collège Vanier à Montréal. La série comprend aussi des photographies classées par sujets (les sujets ayant été déterminés par Judith Lemer Crawley elle-même). A la fin de la série, sont inventoriées des photographies réalisées par d’autres artistes que Judith Lemer Crawley, tels que Michel Campeau et Pamela Harris.
This fonds contains records related to Beverley Baines' participation in the 1981 Ad Hoc Conference about Women and the Constitution. It consists also of records on the National Association of Women and the Law (NAWL)'s dilemma about women's equality during the Meech Lake debates. It also includes records on the Charlottetown Accord and women's issues.
Fonds consists primarily of reports and briefs, but also includes agendas, proposals, memos, newsletters, correspondence, news releases, background papers, booklets, pamphlets, and other material pertaining to the Canadian Advisory Council on the Status of Women. The fonds is divided into three series: CACSW Reports / Briefs, Women’s Conference, and Posters.
This fonds is composed mainly of textual records; the administrative records of the collective and the proofs and submissions for each magazine issue. It also contains documents relating to the Healthsharing Book, including funding application, correspondence with authors and proofs. The records are arranged according to eight series; Minutes, Administration, Financial Records, Promotion and Distribution, Editorial Development, Healthsharing Book, and Correspondence.
The Helen Levine fonds, 1931-2018, documents Helen Levine’s activities within the women's movement, as well as her social work and teaching career at the School of Social Work of Carleton University. The fonds illustrates Helen Levine’s implementation of a feminist perspective into school curricula.
The fonds also reflects Helen Levine's advocacy and social work practice. The fonds features conference and workshop programs as well as administrative records, news clippings, and resource materials. The advocacy records show Helen Levine's community work and her involvement in issues such as motherhood, friendship, violence against women, and women's rights. The fonds also contains Helen Levine's published works and personal correspondence.