This fonds is composed mainly of textual records; the administrative records of the collective and the proofs and submissions for each magazine issue. It also contains documents relating to the Healthsharing Book, including funding application, correspondence with authors and proofs. The records are arranged according to eight series; Minutes, Administration, Financial Records, Promotion and Distribution, Editorial Development, Healthsharing Book, and Correspondence.
The materials contained in this fonds give an insight of Toronto women’s movement activities in the 1970 to the 1990s. Since the 1970s, Helen Jefferson Lenskyj was involved in several community activist groups. The fonds reflects her commitment to the Feminist Party of Canada at the end of the 1970s and beginning of the 1980s. She taught at the University of Toronto between 1986 and 2007. This fonds emphasizes her work on sexual harassment prevention at the Ontario Institute for Studies in Education (O.I.S.E.), and her involvement with the Centre for Women’s Studies in Education (CWSE), mostly with the subcommittee that she coordinated, which investigated a free-standing women’s studies program. This fonds is also composed of a collection of various posters on women’s issues in the 1970s to the 1990s.
The Helen Levine fonds, 1931-2018, documents Helen Levine’s activities within the women's movement, as well as her social work and teaching career at the School of Social Work of Carleton University. The fonds illustrates Helen Levine’s implementation of a feminist perspective into school curricula.
The fonds also reflects Helen Levine's advocacy and social work practice. The fonds features conference and workshop programs as well as administrative records, news clippings, and resource materials. The advocacy records show Helen Levine's community work and her involvement in issues such as motherhood, friendship, violence against women, and women's rights. The fonds also contains Helen Levine's published works and personal correspondence.
This fonds consists of material relating to the International Network of Women Engineers and Scientists (INWES). It contains correspondence and notes, minutes, reports, and financial documents related to INWES conferences and meetings. It also contains documents related to ICWES conferences, affiliated organizations and conferences, and individual members of note.
International Network of Women Engineers and Scientists (INWES)
This fonds contains documents collected by Ján Juraj Frajkor during his involvement in the Slovak World Congress (SWC), giving an overview of the political situation in Slovakia prior to and after the dissolution of Czechoslovakia. It includes correspondence, newspaper clippings, articles, speeches, publications and photographs.
"This fonds includes textual records and photographic works related to the artistic work of Judith Lemer Crawley. It offers a complete overview of the artist's artistic production. All of Judith Lemer Crawley's exhibition projects or those in which she has participated are represented. The fonds contains photographs taken by the artist from the late 1970s to the 2000s. The photographic material includes prints (framed or unframed) with dimensions ranging from 20 x 24'' to 8 x 10''. Thus, this fonds reveals the evolution of Judith Lemer Crawley's artistic career, from her first photographic experiences to her most recent shots. The fonds is divided in four series. The first series contains records related to Judith Crawley's exhibitions: Pre-Relations (1979), Relations (1981), You Can’t Hug Kids with Nuclear Arms (1986), Giving Birth is Just the Beginnings: Women Speaks About Mothering (1985, 1986), One in Five… (1993, 1995, 1996, 1997, 1998), The 50s (1997), About Auschwitz (2003, 2004, 2005, 2010), Women’s Daybook Series (2006), Women and Landscape (the silver prints kept in this fonds were printed in Banff in 2014 but never exposed). The second series consists of records related to group exhibitions in which some Judith Crawley's photographs were exposed: Little Shop Gallery Exhibit (1981), Urbanité (2001), and other group exhibits. The third series includes documents related to various activities in which Judith Lemer Crawley participated, such as conferences, workshops, events, publications. Some documents are also related to her teaching duties at Vanier College in Montreal. The series also includes photographs arranged by subject (the subjects having been determined by Judith Lemer Crawley herself). At the end of the series, photographs by artists other than Judith Lemer Crawley, such as Michel Campeau and Pamela Harris, are inventoried. / Ce fonds comprend des documents textuels et des œuvres photographiques reliés au travail artistique de Judith Lemer Crawley. Il offre un panorama complet de la production artistique de l’artiste. L’ensemble des projets d’expositions réalisés par Judith Lemer Crawley ou auxquels elle a participé, y sont représentés. Le fonds contient des prises de vue réalisées par l’artiste depuis la fin des années 1970 jusqu’aux années 2000. Le matériel photographique comprend des impressions (encadrées ou non) dont les dimensions sont comprises entre 20 x 24’’ et 8 x 10’’. Ainsi, ce fonds dévoile l’évolution de la carrière artistique de Judith Lemer Crawley, de ses premières expériences photographiques à ses plus récentes prises de vue. Le fonds est divisé en quatre séries. La première série contient des documents relatifs aux projets d’expositions réalisés par Judith Lemer Crawley : Pre-Relations (1979), Relations (1981), You Can't Hug Kids with Nuclear Arms (1986), Giving Birth is Just the Beginnings : Women Speaks About Mothering (1985, 1986), One in Five... (1993, 1995, 1996, 1997, 1998), The 50s/La Cinquantaire (1997), About Auschwitz (2003, 2004, 2005, 2010), Women's Daybook Series (2006), Women and Landscape (les épreuves conservées dans ce fonds ont été publiées à Banff en 2014 mais jamais exposées). La deuxième série est constituée de documents relatifs à des expositions collectives dans lesquelles certaines photographies de Judith Lemer Crawley ont été exposées : Exposition Little Shop Gallery (1981), Urbanité (2001), et autres expositions de groupe. La troisième série comprend des documents relatifs à diverses activités auxquelles Judith Lemer Crawley a participé, tels que des conférences, des ateliers, des événements, des publications. Certains documents sont également liés à ses fonctions d'enseignante au Collège Vanier à Montréal. La série comprend aussi des photographies classées par sujets (les sujets ayant été déterminés par Judith Lemer Crawley elle-même). A la fin de la série, sont inventoriées des photographies réalisées par d’autres artistes que Judith Lemer Crawley, tels que Michel Campeau et Pamela Harris.